Much Ado About Nothing at the Globe: They don’t make rom-coms like this anymore May 7, 2022 The Globe Theatre is kicking off its first full summer season in two years with a thoroughly enjoyable garden party, and welcoming you to attend William Shakespeare’s Much Ado About Nothing. Much Ado About Nothing is one of Shakespeare’s most popular and uncharacteristically funny comedies. It centres around a pair of romances, one of which [...]
Oklahoma review: Sexy, edgy production has highs and lows May 7, 2022 It’s hardly the world’s best-kept secret that the musicals of Rodgers & Hammerstein, such as South Pacific and The Sound of Music, are crusty as hell. Written over 75 years ago, musical naysayers would call them sexist and perhaps even say their writing is banal – but many have retained a level of fame and [...]
Middle theatre review: A bleakly comic but overlong relationship drama May 7, 2022 When things are going well in a relationship you might hear three little words, when they’re going badly you might hear four: we need to talk. David Eldridge’s new play Middle is about that talk, picking apart the remnants of a marriage that’s already “smashed on the rocks, bleeding to death”. We meet middle-aged couple [...]
Casablanca Beats is a hip hop story with soul to spare May 6, 2022 There’s often an extra dimension to films that are inspired by the director’s own life. Nabil Ayouch (2015 drama Much Loved) draws on his own life in this story of a Anas (Anas Basbousi), a former rapper living in the Sidi Moumen suburb of Casablanca who takes a job teaching young people his craft at [...]
Downton: A New Era is nostalgic, predictable fun May 6, 2022 Familiarity is king when it comes to cinema at the moment. Superheroes, video games, and even the Jackass crew have all found success prodding at our nostalgia over the last few months. It’s the perfect time for the return of Downton Abbey, the cosy TV drama which led to an even cosier 2019 film. The [...]
Age of Rage review: Ivo van Hove sprawling Greek epic is a hot mess May 6, 2022 You wait a lifetime for a play retelling the fall of Troy through the medium of interpretive dance and then two come along at once. Following hot on the heels of Punchdrunk’s immersive The Burnt City comes Age of Rage, the first post-pandemic work by Dutch auteur Ivo van Hove (The Network, Hedda Gabler). From [...]
House of Ife review: Effective balance of grief with levity May 5, 2022 You can choose your friends but you can’t choose your family, goes the old saying. House of Ife is a damning case for why we feel this way. We’re presented with a split of explosively divisive personalities in the Ife family, showing how far removed we can be from the people we’re birthed by, or [...]
UK’s first queer museum founder: ‘It’s not just another bar, you know?’ May 5, 2022 Queer Britain, the UK’s first ever queer museum opens its doors today, taking over the grand old industrial building in King’s Cross’s Granary Square that was once home to the House of Illustration. The intimate space is the first iteration of Queer Britain, with director and co-founder Joseph Galliano hoping to gain funding for a [...]
Jerusalem review: Mark Rylance proves he is the leading actor of a generation in juggernaut play April 30, 2022 After Jerusalem premiered at the Royal Court in 2009 it began to generate a reputation as the greatest play of the 21st century. It’s hard to do justice to the level of prestige which has surrounded the show since; within theatre circles it is untouchable and nothing since – at least, no plays – have [...]
Prima Facie review: from Villanelle to victim, Jodie Comer is a ferocious force on stage alone April 28, 2022 Jodie Comer became one of the world’s most popular British acting exports as psychopathic predator Villanelle in Killing Eve, dispensing of victims with garden hoses, piano tuners, and dressed as a clown. In her West End debut in Prima Facie, a new play by Suzie Miller, Comer has done what all self-respecting A-Listers do when [...]