Skip to content
Tuesday 18 August 2026London --:--Frankfurt --:--Zurich --:--
NewslettersSearchEN · DE · FR
MorningWire

European business, markets and politics

FTSE 100
10,720.30
-0.28%
DAX
26,338.61
-0.38%
CAC 40
8,579.60
0.00%
STOXX 50
6,530.45
-0.14%
  • Europe
  • Markets
  • Business
  • Economy
  • Regulation
  • Politics
  • Opinion
More
GermanyFranceEU InstitutionsCompetitionPublic AffairsBankingTechnologyEnergy
  • Germany
  • France
  • Europe
  • Markets
  • Business
  • Economy
  • Regulation
  • Politics
  • Opinion
  • DE
Friday 12 December 2014 3:56 am  |  Updated:  Friday 07 June 2019 7:36 pm

The Hobbit: The Battle of the Five Armies – film review

By: Melissa York

Add as a preferred source on Google

Cert 12a | ★★★★☆

When Peter Jackson approached Billy Connolly to play the fiercest of Tolkien’s dwarves, he asked, “Have you read The Hobbit?” and Connolly replied “No, and I don’t like people who have.

His comments, said in jest, nevertheless encapsulate the franchise’s reputation for being somewhat nerdy and inaccessible for those who have neither the time nor the inclination to delve into Tolkien’s Middle-Earth. But Jackson’s film adaptations glory in the mythology, packing in every map, appendix and Elvish song. 
 
His decision to drag one children’s book out into three, three-hour epics has made The Hobbit’s pacing feel uneven compared with The Lord of the Rings. An Unexpected Journey was dominated by walking and folk-singing, leaving all the action to The Desolation of Smaug. And frankly, once Benedict Cumberbatch’s thunderous dragon left the frame, there wasn’t much else to see. 
 
The Battle of the Five Armies does exactly what it says on the tin: every creature you’ve never imagined fighting it out for some serious riches and the future of Middle-Earth. 
 
This lack of narrative sets it free from the burdensome folklore, resulting in the most accessible film of the trilogy. When Tolkien’s tomes are out of the way, the focus is on the spectacle, which is what Jackson does best. It veers seamlessly from large-scale recreations of Roman battle formations to smaller David and Goliath confrontations. 
 
Punctuating the violence is Martin Freeman, the franchise’s underrated hero Bilbo Baggins. He’s perfected the art of playing the straight man, and is the indispensable voice of normalcy here, our projection of self in this strange land. 
 
Another highlight is Jackson’s sub-plot between dwarfish Kili and elvin Tauriel, a new character created for the films, which brings a much-needed touch of humanity. There are only so many immortal elves and burly dwarves a film can take before it becomes an expensive game of Dungeons & Dragons. 
 
While the ending may seem overly pleased with itself with its neat overlapping with the Fellowship of the Ring, it is satisfying nonetheless. Plus it only ends once, which is more than can be said for the Lord of the Rings. 
 
Overblown and overlong it may be, but the level of commitment and attention to detail in this trilogy is just as breath-taking as the last. It’s the end of an era for Tolkien fans, but these films will surely endure as the definitive adaptations of his work.
 

CRITICS’ CHOICE: FILM

Penguins of Madagascar
★★★★☆
Sweet, penguin-based Christmassy fun from the people who brought you the Madagascar films
 
Interstellar
★★★☆☆
It doesn’t wear its ambition lightly but there’s no denying it’s an unforgettable sci-fi spectacle 
 
The Homesman
★★★★★
Tommy Lee Jones directs and acts in this Western with a twist. Hilary Swank is sensational

 

Share this article

  • Facebook
  • X
  • LinkedIn
  • WhatsApp
  • Email

Similarly tagged content:

Sections

  • Life&Style

Categories

  • Culture
  • Life&Style

Trending Articles

  • As it happened: FTSE 100 drops as oil prices rise after Trump makes Hormuz threat

  • US bond market jitters spark UK economy recession warning

  • Is the Zeekr 9X Super Hybrid the new luxury SUV to beat?

  • Grandparents fund university degrees to avoid inheritance tax net

  • Aldi boss wades into supermarket ‘price-gouging’ row

More from Morning Wire

  • Cats musical review, Regent’s Park: Purrrfectly exquisite nonsense

    Life&Style
    Grizabella in a shaggy white costume with cat ears, performing Memory from Cats musical at Regents Park Open Air Theatre
  • Jeff Goldblum plays the cinematic hits at joyful Royal Albert Hall show

    Life&Style
    Carsten Windhorst performing with a gymnast, pianist, and orchestra under purple lights.
  • Luke Combs, Wembley review: as personal as a Texas honky-tonk

    Life&Style
    Luke Combs performing on stage at Wembley Stadium, facing right with a microphone, large crowd visible
  • Assassin’s Creed Black Flag Resynced review: A classic rebuilt

    Life&Style
    Assassins Creed Black Flag resynced scene featuring dramatic fire effects in a nighttime naval battle setting
  • Supergirl movie review: another disjointed DC superhero film

    Life&Style
    Supergirl film poster featuring the lead actress in costume, showcasing the emblematic S logo and dynamic cityscape backdrop.
  • Cleansed is still the most harrowing play you’ll ever see

    Life&Style
    A man and woman in an intimate embrace, surrounded by a field of orange and yellow flowers on a dark stage
  • Boomtown 2026 review: Surely the best party in the world

    Life&Style
    Large crowd at Boomtown festival main stage with vibrant smoke and confetti, during a sunny day.
MorningWire

Independent European business, markets and political news for decision-makers.

Morning Briefing

Europe

  • Germany
  • France
  • EU Institutions
  • Europe

Business

  • Markets
  • Business
  • Economy
  • Regulation
  • Competition
  • Public Affairs

Editorial

  • Opinion
  • Editorial Policy
  • Corrections
  • Contact

Company

  • About Morning Wire
  • Privacy Policy
  • Terms of Use
  • Cookie Policy
© 2026 Morning Wire Ltd · Published by Morning Wire Media, Bahnhofstrasse 65, 8001 Zürich, Switzerland
Privacy · Terms · Cookies · Facebook