Skip to content
Sunday 30 August 2026London --:--Frankfurt --:--Zurich --:--
NewslettersSearchEN · DE · FR
MorningWire

European business, markets and politics

FTSE 100
10,824.26
+0.29%
DAX
26,569.99
+0.77%
CAC 40
8,401.18
+0.98%
STOXX 50
6,485.67
+0.95%
  • Europe
  • Markets
  • Business
  • Economy
  • Regulation
  • Politics
  • Opinion
More
GermanyFranceEU InstitutionsCompetitionPublic AffairsBankingTechnologyEnergy
  • Germany
  • France
  • Europe
  • Markets
  • Business
  • Economy
  • Regulation
  • Politics
  • Opinion
  • DE
Friday 29 November 2019 1:01 pm

The Lion, the Witch and the Wardrobe at Bridge Theatre review: Perfect family fun

By: Steve Dinneen

Life&Style Editor

Add as a preferred source on Google

Christmas is not typically a high-point for theatre, but parents seeking something beyond this season’s repertoire of pantomimes should look to this loveable interpretation of The Lion, the Witch and the Wardrobe.

CS Lewis’ 1950 novel is sometimes viewed a little suspiciously, given it’s a fairly transparent allegory for the Christian origin story. But it’s also adaptable enough that in the hands of, say, theatre director Sally Cookson, it can be retooled to address social alienation and the vagaries of the class system – themes that feel hugely relevant for contemporary audiences. 

And on another level, it’s simply about a magical portal to another world, which is where this production really shines. Relatively sparse staging belies the meticulous attention to detail that’s gone into realising Narnia, a place of stark beauty that’s brought to life through deft use of simple techniques. Billowing sheets become hazardous snowstorms while stuffed animals are transformed into lifelike puppets (Schroedinger the cat is particularly good).

Read more: Dora Maar at the Tate Modern – more than Picasso’s mistress

The production brings Lewis’ adorable woodland creatures to the fore, with the ensemble of beavers and foxes cast as plucky World War 2 resistance fighters waging a gentle guerilla war against the wicked White Witch. A sequence featuring the return of Father Christmas is a highlight, with the famous distributor of presents at the centre of a jolly musical interlude.

It’s not all festive cheer, however: it’s also rather frightening. Laura Elphinstone’s White Witch is utterly fearsome – very young children might be better off at home with a babysitter – and the stand-off with Aslan is genuinely tense. The noble lion is, appropriately, realised as a duality, part fearsome spirit (a huge Chinese dragon-esque puppet that roams the stage), part human. 

There’s also a sexy Maugrim who runs around with his top off, moving in a way that’s equal parts seductive and unsettling. So while the kids are cheering Santa, the adults get to ogle a wolf. Perfect family fun.

Read more

‘We have been ignored for most of our life,’ says FTSE 100’s newest bank

Confetti falls as executives celebrate Lion Finance Group joining the FTSE 100 at the London Stock Exchange.

Share this article

  • Facebook
  • X
  • LinkedIn
  • WhatsApp
  • Email

Similarly tagged content:

Sections

  • Life&Style

Categories

  • Culture
  • Life&Style

Trending Articles

  • Pensioners to hand over bank statements in government benefits crackdown

  • Jamie Carragher: HMRC petitions for Sky Sports star to be declared bankrupt

  • Jamie Vardy bags Bundesliga rights as he steps up streaming war with Neville and Lineker

  • City firms mandate phone and face-to-face comms bootcamps for Gen Z lawyers

  • Brewdog founder James Watt hits out at ‘total silence’ over new venture

More from Morning Wire

  • ‘We have been ignored for most of our life,’ says FTSE 100’s newest bank

    Banking
    Confetti falls as executives celebrate Lion Finance Group joining the FTSE 100 at the London Stock Exchange.
  • Susannah Streeter: investors are bracing for tax rises

    Opinion
    Chancellor John Healey smiling, wearing a navy suit, white shirt, and red tie.
  • Ari Emmanuel snaps up West End theatre group ATG for £4.5bn

    Hospitality
    Paddington Bear in a blue duffle coat and red hat on a purple background with BAFTA and EE logos
  • Serco chief hits back at New Statesman’s outsourcing jibes

    Politics
    New Statesman magazine cover, How Britain Lost Control, with a crowned lion held by a hand, over a city skyline.
  • Ombudsman and River to serve up another Juddmonte thriller

    Sport
    Jockey in blue silks riding a brown racehorse with a white blaze, galloping past a blurred crowd at a racecourse
  • State ready to Star on the Knavesmire

    Sport
    Smiling man in a flat cap and trench coat, light blue tie, white shirt, looking slightly right
  • Easyjet extends window for another Castlelake bid

    Aviation
    EasyJet aircraft parked at the airport terminal ready for boarding, featuring distinctive orange branding and clear blue sky.
  • Apple gears up for fresh legal fight with government

    Lawsuit
    Apple unveils new products at recent event showcasing innovative technology and sleek design to global audience
MorningWire

Independent European business, markets and political news for decision-makers.

Morning Briefing

Europe

  • Germany
  • France
  • EU Institutions
  • Europe

Business

  • Markets
  • Business
  • Economy
  • Regulation
  • Competition
  • Public Affairs

Editorial

  • Opinion
  • Editorial Policy
  • Corrections
  • Contact

Company

  • About Morning Wire
  • Privacy Policy
  • Terms of Use
  • Cookie Policy
© 2026 Morning Wire Ltd · Published by Morning Wire Media, Bahnhofstrasse 65, 8001 Zürich, Switzerland
Privacy · Terms · Cookies · Facebook