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Culture

  • Burning film review: Lee Chang-dong’s Haruki Murakami adaptation is more proof he’s the best director you’ve never heard of

    February 1, 2019

    Lee Chang-dong may be the best director you’ve never heard of. He has made just six films, each of them wonderful and largely unknown to Western audiences, over a peripatetic career that has also included a stint as culture minister in the South Korean government. Burning, adapted from a Haruki Murakami story, is his best [...]

  • Can You Ever Forgive Me? film review: Melissa McCarthy shines in this odd-couple heist movie

    February 1, 2019

    The normally jovial Melissa McCarthy completely transforms herself to play Lee Israel, a New York biographer who finds a new stream of income forging personal letters from famous writers of the past. It’s a fascinating premise (adapted from the real life Israel’s 2008 memoir), playing out as a simple but well executed heist movie. The [...]

  • Escape Room is a fun, trashy but ultimately gutless horror flick that deftly tunes into a booming trend

    January 31, 2019

    When future historians look back on the twenty-teens, perhaps on a nostalgia-fuelled talking head show called ‘I Love 2018’, they’ll remark on the popular trends that characterise our present day. “Who remembers flossing?” the cadaver of Victoria Beckham will rasp, what remains of her body elegantly propped up in a Christian Dior gurney and kept [...]

  • Pierre Bonnard at the Tate Modern review: A beautiful shower of colour, just don’t try to search for deeper meaning

    January 29, 2019

    Walking around this major retrospective of Pierre Bonnard, you quickly discover that his work is dominated by two things. First, there is his relationship with Marthe de Meligny, his wife and muse. She features in most of his paintings, usually standing slightly off-centre, or emerging from one of her many baths. He was a painter [...]

  • Man Group ends sponsorship of Booker Prize after 18 years

    January 27, 2019

    Britain’s most high profile literary award, the Man Booker Prize, has lost its headline sponsor after Man Group announced on Sunday that it will end its 18 year partnership with the event.  Man Group – an asset manager – has sponsored the prize since 2002, contributing £1.6m a year. Read more: ​Waterstones acquires Foyles bookshops as [...]

  • Vice movie review: Another Scorsese-esque epic from the maker of The Big Short

    January 25, 2019

    In 2015, Adam McKay went from being known as the man who directed Will Ferrell movies to one of the most stylistically innovative filmmakers in Hollywood. Gigs overseeing Anchorman, Talladega Nights and The Other Guys, plus writing credits on films including Hansel & Gretel: Witch Hunters and Ant-Man, somehow gave way to The Big Short, [...]

  • When We Have Sufficiently Tortured Each Other review: A play that somehow makes graphic S&M seem tedious

    January 25, 2019

    Martin Crimp’s new play When We Have Sufficiently Tortured Each Other opened to giddy reports of audience members fainting during previews. And this strange production does shock and appal, but not for its uncomfortable themes or graphic depictions of violence, but for its total lack of coherence and crawling tedium. Somehow director Katie Mitchell takes [...]

  • Showstopper! is an improvised musical of fast thinking comedians and off-the-cuff tunes

    January 24, 2019

    The premise of Showstopper! seems almost impossible to pull off. Each night an improv comedy troupe creates a brand new musical from scratch, taking audience suggestions for settings, plot points and style. But they’ve been pulling it off for more than 11 years and 1,000 shows, spawning such spontaneous one-offs as Sinky Boots (set aboard [...]

  • Asphodel Meadows/The Two Pigeons review: A split evening of showcasing sharp contemporary Royal Ballet choreography and a sugary romcom

    January 24, 2019

    This evening of two short productions is, as ballerina Laura Morera says in her programme notes, “everything the Royal Ballet is about.” The first part, Asphodel Meadows, was the first work by Royal Ballet artist in residence Liam Scarlett, originally staged in 2010 when he was just 24. Taking its title from the part of [...]

  • Beautiful Boy film review: Steve Carell and Timothée Chalamet star in harrowing but flawed drug addiction memoir

    January 17, 2019

    The drug movie is a tough genre to navigate. Go too far in one direction and it becomes preachy; too far in the other and you end up glamourising the fetid reality of addiction. Beautiful Boy is drawn from a pair of memoirs by the journalist David Sheff and his son Nicolas, and relates the [...]

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