Skip to content
Thursday 20 August 2026London --:--Frankfurt --:--Zurich --:--
NewslettersSearchEN · DE · FR
MorningWire

European business, markets and politics

FTSE 100
10,751.22
+0.07%
DAX
25,985.36
-0.41%
CAC 40
8,464.01
-0.45%
STOXX 50
6,427.92
-0.26%
  • Europe
  • Markets
  • Business
  • Economy
  • Regulation
  • Politics
  • Opinion
More
GermanyFranceEU InstitutionsCompetitionPublic AffairsBankingTechnologyEnergy
  • Germany
  • France
  • Europe
  • Markets
  • Business
  • Economy
  • Regulation
  • Politics
  • Opinion
  • DE
Tuesday 19 May 2026 4:22 pm  |  Updated:  Tuesday 19 May 2026 4:44 pm

Secret Barbican: visit these beautiful parts of the famous building

By: Dr Philippa Simpson

Add as a preferred source on Google
Barbican Centre exterior showcasing iconic brutalist architecture on a sunny day with people walking in the foreground
Barbican's COO on her favourite (and top secret) parts of the building

I’m not sure anyone can really consider themselves an ‘insider’ at the Barbican. It’s a giant, complex dream of a place, a vision of what a community and a life might be like with creativity at its heart. I’m just lucky enough to be one of the people looking after it for a bit.

And from that perspective it’s not unlike having a teenager. It’s entertaining and challenging, full of big ideas and hopes for the future, a big heart in a tough shell.

I’ve always adored the building, its odd corners and enormous aspects. Before I worked at the Barbican I had a sense of ‘never meet your hero’ – I worried that spending every day at a place I loved might break the spell.

But it’s been quite the opposite. Every day I see something that amazes me. At times it’s the details of the building – the ‘lantern’ at the top of the conservatory, where you can look out over the city from the height of the Theatre’s fly tower.

New parts of the Barbican to visit

Or the Foyer to the stalls of the Concert Hall and Theatre, where the floor is said to slope towards where the bar was originally placed (a lesson in hospitality). Or the lakeside, where the generosity of creating a true oasis in the City at a time when more rent-making properties must have been in demand, never ceases to impress me.

At others it is encountering at first hand the extraordinary creative work that goes on here. Bumping into someone in the queue for coffee that you realise – later – had entranced you on stage the night before. Or watching an artist work tirelessly on a new installation (an incredible example on our Sculpture Court right now).

Or walking backstage in the Concert Hall or Theatre and watching the incredible skill – and speed – of the technicians who create the magic that we often only experience subliminally. Or plunging right down to escape the world in one of our cinemas that sit side by side with tube lines and hidden tunnels, a reminder of how much we are knitted in to the City.

But even more often it is how the building is being used by its visitors. For dance practice, in front of our huge mirrors. Or writing last-minute reports, tucked away alongside the concert hall. Or meeting friends at the Martini Bar, which was meant to be a temporary installation to accompany a James Bond exhibition but is now a permanent (and much loved) fixture.

Many people know the Barbican as a place for people who love architecture – an icon of Brutalism and post-war city planning. But for me it is a place for people who love people. A place of encounter and shared experience, where different crowds gather and merge, and where people with every kind of skill and talent come together to create and experiment.

It’s an incredible thing to watch. Across a single day it can feel like passing through different seasons, as the atmosphere shifts depending on what events are on, what the light is like, or what sounds are escaping the various venues (or the practice rooms at Guildhall School of Music and Drama next door).

And what is most wonderful is that – even without paying a penny – it is a place that is open to everyone, even if it’s just for shelter on a wet day (NB the place even looks good in the rain).

So while all of this may make me sound like an insider, the most important thing is that no one should ever feel like an outsider.

Go to the official website

Read more

Death Note: The Musical review – a high-shine, high school take on the trolley problem

Xander Pang Light and the cast of Death Note The Musical on stage with Tokyo cityscape projections

Share this article

  • Facebook
  • X
  • LinkedIn
  • WhatsApp
  • Email

Similarly tagged content:

Sections

  • Life&Style

Categories

  • Life&Style
  • Culture
  • Toast the City

People & Organisations

  • barbican
  • barbican centre
  • Morning Wire Toast Awards
  • toast the city

Trending Articles

  • Jobless Banquet: Youth unemployment surge ‘sends Neets to KFC’

  • City law firm sues prominent Emirati business family

  • Amanda Blanc has worked her magic at Aviva

  • As it happened: Miners fuel FTSE 100 recovery; oil jumps as Trump claims Strait of Hormuz

  • House prices in wealthy London boroughs fall by up to £300,000

More from Morning Wire

  • Death Note: The Musical review – a high-shine, high school take on the trolley problem

    Life&Style
    Xander Pang Light and the cast of Death Note The Musical on stage with Tokyo cityscape projections
  • MoN Takanawa: The Museum of Narratives Launches New Season “Sound as Culture” Starting October 1

    Business Wire
  • Toast the City Awards 2026 finalists announced – vote now!

    Toast the City
    A cityscape with people raising glasses in celebration, capturing the spirit of urban festivity and community toast events.
  • Why Albania’s Tirana could be the city break of the future

    Life&Style
    Radisson Collection hotel in Tirana, Albania, featuring a swimming pool, palm trees, and an external fire escape.
  • Healey: Squeezed businesses also need ‘breathing space’

    Politics
    John Healey and Andy Burnham sampling beers at a pub bar
  • Summer loving! 9 amazing things to do in London this August

    Life&Style
    Three revelers in vibrant feathered costumes celebrating at Notting Hill Carnival.
  • Burnham’s encounter with political and economic reality will be brutal when it comes

    Politics
    Andy Burnham discussing capital gains tax increase during a press conference, highlighting potential economic impacts
  • London is Open for Business – But Only If We Get Planning Right

    Partner
    Innovative technology concept with futuristic digital interface and glowing data visuals on a dark background
MorningWire

Independent European business, markets and political news for decision-makers.

Morning Briefing

Europe

  • Germany
  • France
  • EU Institutions
  • Europe

Business

  • Markets
  • Business
  • Economy
  • Regulation
  • Competition
  • Public Affairs

Editorial

  • Opinion
  • Editorial Policy
  • Corrections
  • Contact

Company

  • About Morning Wire
  • Privacy Policy
  • Terms of Use
  • Cookie Policy
© 2026 Morning Wire Ltd · Published by Morning Wire Media, Bahnhofstrasse 65, 8001 Zürich, Switzerland
Privacy · Terms · Cookies · Facebook